The bottom line is: no matter whether you’re heading to Resolve, Baselight, Pro Tools, Adobe Audition, or any of a number of other programs, you are going to need a file exchange format that is recognized across these applications-and unfortunately. These project exchange formats carry more information than their older cousins and should always be given preference.) (On a side note, while the aforementioned OMF and EDL are still legitimately supported file exchange formats, it is always recommended to use AAF and XML when possible. While there is absolutely nothing wrong with FCP X’s own color correction and audio editing tools (at least for basic work), the vast majority of professional workflows out there are going to require the ability to send your project to specialty programs to handle things like color and sound. It doesn’t support AAF, OMF or EDL, so you are pretty much stuck with. fcpxml (a type of XML that isn’t currently compatible with most other video and audio software). If you were to point out the fact that FCP X is still limited in the area of project interchange formats, I would have to agree with you on the whole. FCP X’s Missing Feature: Interchange Formats So let’s take a look at how DaVinci Resolve can be folded into your FCP X workflow so that you can turn over your picture and sound to any program you like, without having to buy any software or plug-ins (like EDL-X or X2Pro, which cost $100 and $150, respectively!). It actually has a bountiful number of professional features that improve efficiency and speed of editing, and make it a viable NLE for anything from industry feature films to Fortune 500 commercials to broadcast television.Īlthough many of the initial problems with FCP X that caused this exodus have long been addressed with updates (multicam and 3rd party hardware output were added soon after its release for instance), DaVinci Resolve can-for FREE-solve the number one problem that FCP X is still has - its limited file exchange format capability. While many of those criticisms were well deserved, there is a lot about FCP X that is either misunderstood or misrepresented. Its magnetic timeline confused many editors, and a slew of other frustrating issues caused many to abandon the program altogether. When FCP X was released in 2011, it famously/infamously caused quite a stir.
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